Episode 02 Nick Piunti
The dynamic guitar pop of Detroit’s Nick Piunti has earned the praise of critics and fans all over the world. Although he’s been rockin’ out since the 1970s, Nick’s most recent albums have defined his signature sound and generated his biggest waves yet, by combining a persistent backbeat, inventive lyrics and classic songwriting hooks. Photo: Tim Meeks
One distinguishing feature of great songwriting is when individual lyric lines or thoughts aren't always completed within a single musical phrase, and vice versa. Better lyricists understand how it can sometimes be more interesting to sing two lyric lines against a single musical phrase or (conversely) to stretch a single thought across two or more musical phrases. Nick Piunti’s song, “13 In My Head,” contains a great example of this technique and it’s illuminating to see it in action. During the first four musical lines of the chorus, Nick sings:
“What do we say now I’ve split these into four lines to show how they’re sung across four short, musical phrases, with long pauses in between. But if you’ll notice, they’re really a single sentence — a single thought — which even continues on after that! By stretching the line out, a couple of things happen. For one thing, you’re forced to wait until a later musical phrase to hear the finished thought. But on top of that, once you’ve heard “What do we say now that we’ve made it?” you might mistakenly believe that you’ve just heard one complete line or question. It certainly makes sense that way. But as you keep listening, you realize there’s more to that same thought. Really, Nick is saying this: "What do we say, now that we’ve made it past the age [now] when we’re fated to living out the same old stories while we're searching for the glory in our yesterdays?" A new meaning emerges. The songwriter isn’t really talking about looking back after “having made it big,” he’s talking about “having lived past the time when he might have made it big." One other cool thing that strings you along is Nick's repeated use of the word "now." The first "now" is used as a conjunction, keeping the sentence flowing to the following line. The second "now" is only there to complete the compound rhyme scheme of the first and third line. This surprise double meaning is revealed slowly — you have to wait for it. And that anticipation and slow realization is a reward for the listener. The writer was clever for writing it, and the listener feels clever for noticing it. -- Dave Caruso / Host
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Album | Artist | Songwriter | Producer | Song | |
Trust Your Instincts (2016) |
Nick Piunti | Nick Piunti | Geoff Michael |
One Hit Wonder
Blame In Vain
Stay Where You Are |
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Beyond the Static (2015) |
Nick Piunti |
Nick Piunti (11 songs) Geoff Michael (co-wrote 2) Megan Piunti (co-wrote 1) Donny Brown (co-wrote 1) |
Geoff Michael Nick Piunti |
Time Machine
Six Bands
It's a Trap |
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Beyond the Static (Vinyl Bonus and Bandcamp (Digital) |
Nick Piunti | Nick Piunti |
Geoff Michael Nick Piunti |
Quicksand
(Unplugged) |
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13 In My Head (2013) |
Nick Piunti |
Nick Piunti (10 songs) Ryan Alan (co-wrote 4) |
Geoff Michael Nick Piunti |
13 In My Head
Good
Thing Going
It All Comes Down |
(Title / Artist / Album)
Opening Medley When You Come Back Around / The Respectables / Sibley Gardens Six Bands / Nick Piunti / Beyond the Static It's a Trap / Nick Piunti / Beyond the Static Stay Where You Are / Nick Piunti / Trust Your Instincts It All Comes Down / Nick Piunti / 13 In My Head Quicksand (Unplugged) / Nick Piunti / 13 In My Head (Vinyl Bonus Track)
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